When a Labor Union Goes Rotten

by: Matt Stoller

Thu Dec 13, 2007 at 12:17


I'm a big fan of labor.  Still, while unions are an incredibly necessary structure for a progressive country, there is often bad behavior within the solidarity fold.  I have seen it with the United Autoworkers undermining CAFE standards, and the Communications Workers undermining net neutrality.  So here's another example: Thomas Short of IATSE attempting to sabotage the WGA in Business Week.

Matt Stoller :: When a Labor Union Goes Rotten
IATSE, a 50,000-person union, says as many as 40,000 editors, grips, and others have been laid off as the strike shut down some 100 TV shows. "I don't believe the WGA ever intended to bargain in good faith," IATSE President Thomas Short says. The talks, he adds, won't continue, "until the WGA leadership starts behaving responsibly, which is unlikely."

Short is trying to undermine the WGA because he wants his union to unionize reality show writers instead of the WGA.  It's a petty, dishonest, and short-sighted power play done at the worst possible time for a fellow union.

Solidarity indeed.  Meanwhile, poor Les Moonves is hurting.

United Hollywood is keeping CBS mogul Les Moonves in its thoughts and prayers. As Bloomberg news reports, Moonves signed a new compensation package worth, on the low end, $30 million dollars per year. But shockingly, his base salary was cruelly cut from $5.6 million in 2006 to a mere $3.5 million in 2007. Such a devastating loss of income must be particularly difficult around the holidays. It certainly is for all of us on strike or put out of work.

Perhaps when this strike is resolved -- and we writers, below the line crew, actors and directors have our income restored -- we can all chip in to help Les Moonves through his time of need. Until then, Les, if you need a place to crash, I have a futon.

Advertisers are getting angry and the strike is beginning to eat into GE's bottom line.  That will deeply concern the executives at these companies, I'm sure.


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They've always hated each other (4.00 / 1)
This goes back to jurisdiction fights between IATSE and the WGA that go back years, mainly over animation writers, actually, which IATSE signed up first.  The starkest example is the 2006 WGA strike of America's Next Top Model.  The story staff walked out, but IATSE wouldn't pull its editors.  The execs and the editors finished the show, and the story staff all got fired.

There's a lot of cross-union animosity in Hollywood.  The AMPTP is counting on that right now by negotiating with the DGA, which never walks out, to try and set a baseline for the other unions that is friendlier.

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"The Iron-clad Law of Institutions" Applies Here: (0.00 / 0)
Short is trying to undermine the WGA because he wants his union to unionize reality show writers instead of the WGA.  It's a petty, dishonest, and short-sighted power play done at the worst possible time for a fellow union.

The I-cLoI reads as follows: People with great power within institutions will willingly sacrifice the power of the institution as long as they suffer no diminishment of their own power inside the organizaton.


IATSE solidarity history has never been good. (4.00 / 2)
In an earlier life my husband and I made a movie about the Hollywood Blacklist called Hollywood on Trial (It was nominated for an Academy Award 1976)  Most of the blacklistees were writers.  We did lots of research on the formation of the Guild and other Hollywood unions and the role of the producers' anti union activities and how that played into blacklisting.

We also looked at the 1940's jurisdictional fights between the AFL's CSU, Conference of Studio Unions and IATSE, which was basically throughout the 40's both a studio union and mob controlled, and IATSE essentially guarenteed the studios.... union peace....which was tolerated during the war years. But in 1946 a full fledged dispute broke out between the 2 unions.  As Otto Friedrich said in City of Nets "CSU was everything IATSE was not, militant, leftist and honest"  CSU though by the end was destroyed, even though the NLRB initially upheld its jurisdiction over some other emerging craft guilds...like theset decorators.  But the unions fought back and IATSE was their vehicle.

By the way, the Writer's Guild, initially a craft union, was the first effective union formed and it has always been  progressive mobilizing force throughout Hollywood union history.

From Gerald Horne's book
  "Tensions between workers and management had long roots: attempts at unionization began as early as 1918 and had ended up in a union lockout in 1921. In 1927, the industry attempted to sidestep the union's power by forming the Academy of Motion Picture Arts and Sciences, which was designed to give the appearance of a surrogate union. In the 1930s, attempts at organizing studio workers by the CSU or other unions were labeled "red." In this maelstrom of political, social and legal bitterness, noted historian Horne (Fire This Time: The Watts Uprising of the 1960s) focuses on the great postwar CSU strike of 1945, which after a studio lockout escalated into a full fledged Cold War culture war, with rabid red-baiting, anti-Semitism and, eventually, violence between striking union workers and scabs, and extensive police brutality."

We interviewed dozens of blacklistees and their contemporary comments to us at the time would verify this perspective.  Though ironically, when we interviewed Ronald Reagan for the movie, he had been head of SAG throughout this time and the subsequent blacklisting era, he said that this union fight is what turned him from an FDR Democrat to a Republican.....believe what you will.

This link is to a book by Richard Maltby which covers the issue in more depth, I can't copy the excerpt.
http://books.google....

And if you google IATSE and CSU you should get more, including the FBI's report on Communist influence in Hollywood that formed the basis of the HUAC hearings.

"Incrementalism isn't a different path to the same place, it could be a different path to a different place"
Stoller


Correction "the studios fought back" not the unions (0.00 / 0)
"But the unions fought back and IATSE was their vehicle."

typo on my part,.....It should be The studios fought back and IATSE was their vehicle.

And they succeeded. 

Dday is right by playing one against the other.

"Incrementalism isn't a different path to the same place, it could be a different path to a different place"
Stoller


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