According to Robin Marty of Care2.org, today's young whippersnappers are snorting bath salts and plant food to get their kicks. I knew I was getting old when I had to check the media to find out about the latest youth drug menace.
But, before you go and blow your allowance at the Body Shop or the garden center, keep in mind that "bath salt" and "plant food" are just euphemisms that web-based head shops use to sell these amphetamine-like drugs , according to a 2010 report by the UK Council on the Misuse of Drugs. The active ingredients of this legal high are mephedrone and methylenedioxypyrovalerone (MDPV).
Despite what the media would have you believe, these designer drugs are not ingredients in common household products. You cannot get high on actual bath salts or plant food. Sorry. Gardeners, if you bought exotic imported "plant food" online, and it arrived in an impossibly tiny packet, don't feed it to your plants.
Anti-choice black op linked to James O'Keefe
At least a dozen Planned Parenthood clinics across the country have recently been visited by a mysterious, self-proclaimed "sex trafficker" who was apparently part of a ruse to entrap clinic employees. Planned Parenthood reported these visits to the FBI.
In each case, the man reportedly asked to speak privately with a clinic worker, whereupon he asked for health advice regarding the underage, undocumented girls he was supposedly trying to traffic.
[Prominent anti-choice blogger] Jill Stanek and other anti-choice operatives, including Lila Rose of Live Action Films are effectively claiming responsibility for sending pseudo "sex traffickers" into [Planned Parenthood] clinics, and also warn of "explosive evidence," of which they of course present.....none. They appear to have no credible response to exposure of their efforts to perpetrate a hoax on Planned Parenthood.
As Jacobson points out, sex trafficking is a very real problem. And a sex trafficking hoax diverts time and resources that the authorities who could be hunting down real traffickers. She adds:
Victims of sex trafficking, after all, also need sexual health services because they are effectively being raped regularly and are more likely to contract sexually transmitted infections and experience unintended pregnancies. Does this help them get treatment?
Lila Rose of Live Action Films is a former associate of right wing hoaxster James O'Keefe, who orchestrated a sting operation against the social justice group ACORN. O'Keefe was sentenced last year to three years' probation for scamming his way into the offices of Sen. Mary Landrieu (D-LA) in January, 2010.
Sex, lies, and the classroom
To mark the anniversary of Roe v. Wade, the National Radio Project presents a discussion of sex ed in American schools, federal funding for sex ed, and advocacy by interest groups and parents. Guests include Phyllida Burlingame of the ACLU and Gabriela Valle of California Latinas for Reproductive Justice.
Hot coffee!
Remember the woman who sued McDonald's after she spilled a hot cup of coffee in her lap? Corporate interests made Stella Liebeck into a national joke, even though she won her suit. Hot Coffee is a new documentary that tells the story behind the one-liners. Amy Goodman of Democracy Now! interviews Ms. Liebeck's daughter and son-in-law.
McDonald's corporate manuals dictated that coffee be served at 187 degrees, in flimsy styrofoam cups. A home coffee maker usually keeps the brew between 142 to 162 degrees, and most people pour their Joe into something sturdier than a styrofoam cup. If you spill that coffee on yourself, you have 25 seconds to get it off before you suffer a 3rd degree burn. Whereas if you spill 187-degree coffee on yourself, you've got between 2 and 7 seconds.
Companies are expected to produce products that are safe for their intended use. McDonald's was serving coffee to go, through drive-through windows, with cream and sugar in the bag. By implication, it should be safe to add cream and sugar to hot coffee in a car. In the pre-cup-holder era, millions of Americans were probably steadying their coffees between their legs to add cream and sugar every day. A responsible restaurant would not dispense superheated liquids in flimsy to-go cups. Indeed, McDonalds' own records showed that 700 people had been scalded this way.
In 1992, the plaintiff was a passenger in a parked car, attempting to add cream and sugar to her coffee while steadying the cup between her knees. When she opened the lid, the cup collapsed inward, dousing her with scalding coffee. The 79-year-old woman sustained 3rd degree burns over 16% of her body. She needed skin grafts to repair the damage. Initially she only sued to recoup part of the cost of the skin grafts. But the judge who heard the case was so outraged by McDonald's disregard for customer safety that he urged the jury to award punitive damages.
Another theme of Hot Coffee is how medical malpractice caps are forcing taxpayers to cover the medical costs of people who are injured by negligent health care providers.
This post features links to the best independent, progressive reporting about health care by members of The Media Consortium. It is free to reprint. Visit the Pulse for a complete list of articles on health care reform, or follow us on Twitter. And for the best progressive reporting on critical economy, environment, health care and immigration issues, check out The Audit, The Mulch, and The Diaspora. This is a project of The Media Consortium, a network of leading independent media outlets.
Weekly Audit: Millions of Americans Could Lose Unemployment Benefits
Editor's Note: Happy Thanksgiving from the Media Consortium! This week, we aren't stopping The Audit, The Pulse, The Diaspora, or The Mulch, but we are taking a bit of a break. Expect shorter blog posts, and The Diaspora and The Mulch will be posted on Wednesday afternoon, instead of their usual Thursday and Friday postings. We'll return to our normal schedule next week.
Over the years Hollywood has produced a vivid record of the immigrant
experience in America. Although many movies are controversial on matters
of fact, they nonetheless provide a valuable insight into how immigrants
are seen and represented in the mainstream.
The film industry is significantly positioned to examine America's
changing cultural identity and bring to the public's attention the
stories of immigrant communities. Ever since the 1920s studios have
presented audiences with dramatized accounts of the individual
immigrant's experience adjusting to America and their attempts at upward
mobility. Be they nostalgic or critical, such films helped fill a gap in
the general public's knowledge and pave the way for more socially
conscious filmmaking.
Yep, earthworms. Our individual work breaks down the waste around us and churns out more healthful substances. We each cover a few square inches of our earth, and sometimes a great number of earthworms can transform a much larger patch of land. According to Charles Darwin, no living thing has had such a profound impact on history as has the earthworm.
What humans have that earthworms don't: brain power. And what many humans have that one human doesn't: collective brain power, and potential for coordinated action.
That's why we're launching and spreading the spores for Environmental Countdown. It's been in development more than a year, and with 300+ members has reached maturity. ECountdown is like a central nervous system for the environmental activist body. It allows individual activists to literally see what is happening so the right and left hands can work in concert.
A web portal that can coordinate the munching plan for earthworms? If only earthworms could clap! On this site, grassroots activists and environmental organizations alike can:
- Share videos and pictures documenting your work on environmental causes with everyone else who is dedicated to similar work across the planet - Team up with other activists for conversation, idea sharing, planning, and action - Share best practices - Be inspiration, be inspired - Get and give resources - Earthworms that have banded together to form organizations can create their own profiles on the site and ECountdown will host and market your media for you.
In a brilliant example of this portal's power, the US Environmental Protection Agency wants to hear from earthworms like you:
Videos such as this one addressing environmental racism have already responded to the call to action. Are you a teacher? Work in the classroom? There's more where this came from.
Really, it's a platform for collaboration for all the earthdwellers that want to improve the health of this patch of ground that we all share. It's free, reliable, and environment-only. It's pro-munching, pro-digestion and open to all earthworms. So come get your dirt, put your own few inches of dirt onto the map, and be a part of this united, global effort to achieve authentic sustainability from the grassroots up. If you have a great environmental video, put it up. Spread the word. A new day is dawning on fresh dirt for environmental impact.
Due to its scarcity, safety may be the most precious commodity of all in a warzone. And since scarcity raises prices, it's the rich and well connected who can afford the most security -- or at least the perception of it. No one knows this as well as Fidelis Cloer, a salesman who has spent nearly twenty years selling high-priced, German-made luxury armored cars to kings, presidents, dictators and officials in some of the world's most unstable and dangerous regions. Cloer is the subject of the documentary Bulletproof Salesman, co-directed by Petra Epperlein and Michael Tucker, the duo behind the documentaries Gunner Palace and The Prisoner or: How I Planned to Kill Tony Blair. The film follows Cloer as he enters Iraq shortly after the fall of Baghdad, confident that he'll find plenty of eager customers for his cars amidst the chaos. But as the war grinds on and the insurgent weapon of choice switches from guns to increasingly powerful IEDs, Cloer realizes that he can't do business in an environment where he's being both outmatched by insurgents and undercut by low-cost competitors.
Watch my ReThink Review of Bulletproof Salesman and my discussion with Cenk Uygur of the Young Turks about the defense industry and its political influence below.
Take a slo-mo aerial tour of Earth. Released on June 5th, over two and a half million people have already watched Home. The message is potent: it is too late for pessimism. We can redirect our use of energy, of farming, of transportation. We can and must live a different paradigm.
Factory food sickens humans, livestock and the environment
What we eat has changed more in the last 50 years than in the last 10,000. So asserts Robert Kenner's new film, FOOD, Inc., which opens nationwide June 19th. The vast bulk of food production is now controlled by just a few mega-corporations with one value: profit. Relying on genetic engineering, pesticides and antibiotics, factory food is cheap, requiring little land. But the external costs to our health, the environment and the natural food industry are enormous.
Director: Robert Kenner
Producers: Robert Kenner and Elise Pearlstein
Co-Producer: Eric Schlosser
Released by Magnolia Pictures, with Participant Media and River Road Entertainment
93 minutes
FOOD, Inc. is the single most important film of the decade. Transcending hype and industry muzzling, the film exposes some of the cruel and unnatural aspects of industrial farms and food processing. It links epidemic rates of US obesity and diabetes with our intake of genetically engineered food.
NPR called it this summer's "suspense thriller."
The film condemns how workers and animals are abused. Illegal immigrants, who cannot complain about working conditions, comprise most of the workers at industrial food plants. They are vulnerable to raids and deportation. No corporate executives are arrested.
Well researched and well scored, the film debunks the pastoral fantasy spin. Industrial food is not grown, raised or processed on a farm. The animals see no sunshine, are kept immobile in cages, and are genetically or chemically modified. Those that are somewhat mobile are bioengineered to plump their bodies faster than their bones and muscles can support. They flop helplessly to the floor when trying to move.
If Lou Dobbs could wave a magic wand and make all those pesky undocumented workers disappear, he'd do it in a heartbeat. And while that might be a triumph for law and order, it would also be kind of a hollow victory--pretty soon our empty stomachs would begin rumbling, and we'd be grumbling:
Who's going to pick our produce?
Who's going to pluck our poultry?
Who's going to chop up and stir-fry our chicken and broccoli?
Who's going to deliver it to our door?
Millions of illegal immigrants make enormous sacrifices-leaving behind loved ones and paying smugglers a fortune--to come to the U.S. and work long hours for low pay doing lousy jobs. You probably don't give that a whole lot of thought when you dial the Chinese restaurant down the block to order your won ton soup and lo mein.
Filmmakers Sean Baker and Shih-Ching Tsou are out to change that with Take Out, a day-in-the-life saga about one of those guys you grab your bag of food from and hand a dollar to before you shut the door and forget his face. The film opened last Friday at the Quad Cinema in New York City, where Take Out takes place, and illuminates the lives of an ignored but integral segment of our population.
Take Out stars Charles Jang as Ming Ding, an illegal Chinese deliveryman who pedals his way through a drizzly day made more dismal still by ruthless loan sharks. Ming's morning starts with a bruising wake-up call from his debtors, who barge in to the cramped apartment he shares with umpteen other immigrants and demand that he come up with $800 in interest on the massive debt he owes his smugglers by the end of the day.
War, Inc. is a political satire that just opened in LA and New York, produced, co-written, and starring John Cusack, Hillary Duff, Marisa Tomei, Joan Cusack, Ben Kingsley, Dan Aykroyd.
Cusack plays Brand Hauser, a hit-man for hire who is deployed to the fictional country of Turaqistan to kill a Middle Eastern oil baron. Hauser's employer is Tamerlane, a secretive for-profit military corporation headed by the former US vice president, played by Dan Aykroyd. In this scene, Hauser receives his mission orders:
BRAND HAUSER: Turaqistan. What's the gig?
TAMERLANE CEO: Omar Sharif.
BRAND HAUSER: Omar Sharif?
TAMERLANE CEO: Yeah, CEO of Wuji Gas, the Yujigastani conglomerate. Terminate. Do do that voodoo that you do so well. You'll be working directly under the viceroy, just appointed by the president. His identity is still being withheld until further notice. It's on a need-to-know basis.
BRAND HAUSER: And no one needs to know.
TAMERLANE CEO: He asked for you personally.
BRAND HAUSER: What's my cover?
TAMERLANE CEO: Trade show producer.
BRAND HAUSER: Trade show? What show? What show? What show?
TAMERLANE CEO: Oh, it's going to be huge, Hauser. Tamerlane is sponsoring a trade expo, Brand USA. It's our big launch, bringing democracy to this part of the world. Plus, now that we've
bombed the shit out of them, well, there's a lot of rebuilding to do.
BRAND HAUSER: Shows a nice spirit.
TAMERLANE CEO: Well, somebody has to help these poor people. This moment presents a great opportunity for Tamerlane, and the United States, for that matter, not to mention the people of
Turaqistan. To top it all off, there's going to be a gala wedding! Isn't that great?
BRAND HAUSER: Seems like a pretty elaborate cover. I'm actually going to be responsible for all that shit?
TAMERLANE CEO: This is a historic moment, Hauser: the first war ever to be 100 percent outsourced to private enterprise. Tamerlane jets. Tamerlane tanks. Tamerlane soldiers. And to top it all off, a Brand USA Expo. It's your show, baby.
Excerpts from his Democracy Now interview on jump.
Well, I read Living Liberally's review of the film, "Juno," I have to say I profoundly disagree. I personally found the film to be attrocious, and instead of simply ranting in the comments, I decided to instead post a review of my experience watching the film. As a side, I would just like to say that I don't think the film portrays abortion in a good light, and doesn't really take a position, portraying the pro-Lifer as stupid, and the abortion clinic girl as sex obsessed and creepy. Besides that, abortion is literally reduced to her deciding not to go because "everyone is tapping" (even if this was just a cover for her being nervous, it still makes no sense, and her just getting nervous and running away adds nothing to the abortion debate). Either way, here is my review, and be warned, there are some spoilers:
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